The sTory of The red sea as a Theological framework of inTerpreTaTion

© 2009. The Authors. Licensee: OpenJournals Publishing. This work is licensed under the Creative Commons Attribution License. AbsTrACT The exodus motif is widely agreed to be one of the central frameworks illustrating the salvational acts of God in both the Old and New Testaments. According to the Old Testament, the exodus motif was, to Israel, the paradigm of redemptive historical renewal. For this reason, the exodus motif provided the typological expression for all future hope of salvation and served as a theological paradigm to be used by Old and New Testament authors. In this article, the exodus theme in the Book of Revelation, chapters 12 to 13, is discussed in the following order: (1) Christ’s crucifixion and resurrection as the archetypal exodus; (2) the chronological fulfillment of the exodus theme in the Bible; and (3) the exodus theme in Revelation 12 to 13. To investigate the exodus theme in Revelation 12 to 13, the intertextual interpretation, as based on the redemptive historical interpretation, will be highlighted.


The period of the Judges
The return of the ark from the Philistines during the time of judge Samuel (1 Sm 6:6-21) is redolent of the exodus theme, in that the event recalls the Exodus.Several parallels exist between the return of the ark from the Philistines and the exodus motif: (1) God punished both the gods of Egypt and those of the Philistines (Ex 12:12; 1 Sm 5:3-4).In other words, the ark was not welcome to the god Dagon.(2) God punished the Philistines by inflicting tumours on them (Ex 9:10; 1 Sm 5:6).( 3) The notion of service to God is evident (1 Sm 7:3).( 4) Similar words, such as 'to smite' (Ex 9:15; 1 Sm 5:12) and 'plague' (Ex 9:14; 1 Sm 6:4), can be seen in both accounts (cf. Fretheim 1991:387).
(5) Moses and Samuel are comparable in terms of their leadership of Israel (1 Sm 7:6-9, 15) (cf.Daube 1979:73-74).By recalling the Exodus led by Moses, the return of the ark during the period of the Judges is related to its return during the time of David.In addition, the return of Ruth's family from Moab can also be understood in terms of the exodus theme.

The period of King David
The Exodus and the Davidic covenants relate to each other: (1) God performed great wonders rescue people (2 Sm 7:23-24).( 2) God drove nations (such as Egypt) and their gods away from his people.The Davidic covenant, accordingly, not only relates backwards to the Exodus, but also forwards to the eternal Messianic kingdom of the future.

The periods of the pre-babylonian and the postbabylonian exile
The period of the pre-babylonian exile As Collins (1995:156) claims, apart from Amos (Am 2:10; 9:7), Micah is the only prophet to recite all that God as the Lord of the world did for Israel during the Exodus, after which he refocuses on the person of the worshipper.During the period of the pre-Babylonian exile, some prophets recalled the Exodus in their proclaiming of both the leading of a moral life and the practising of true worship as the appropriate lifestyle for the people of God.Indeed, the Exodus imposes certain moral obligations on the lifestyle which is required to be led by the people of God.In this instance, the Exodus also functions as a paradigm for the preexile prophets.Even during this period of pre-exile, the exodus theme reveals the scope of universalism.Moreover, the airing of the exodus theme gave birth to the norms of the Israelites who lived as the people of God during the pre-exile period.

The period of the post-babylonian exile
In Isaiah, the hope of deliverance from exile is referred to, both in terms of the Exodus and also in anticipating the Messianic salvation (Is 42:1).The Abrahamic Covenant provided an important motivation for liberation from exile (Is 41:8;cf. Collins 1995:157).The central themes of both Hosea and Ezekiel are phrased in terms of the reminiscences of the Exodus.Hosea provides the assurance that God will renew his Covenant by again leading his people through the wilderness (Hs 2:14-20).The Exodus furnishes evidence of God's love for Israel (Hs 11:1; Ezk 20).In post-exile times, the prophets considered Israel's breach with God's norms, which, in a sense, derived from the Exodus, as the reason for the Babylonian exile. 2 2.The Book of Esther should be kept in mind, because Esther functions with the exodus framework in the background.Though every detail of the exodus pattern is not present in every instance of it, and there are twists in the way in which the pattern is presented, the pattern is always obvious and clear.The following is the sequence, as applied to Esther (see Jordan 1996:1-4): (1) Some threat, some aspect of sin or of the curse, drives God's people from their home.The sins of Israel drove the Jews into exile in Babylon, which became Persia.
(2) During the sojourn in captivity, Eve (i.e. the exiled Jews) is assaulted by the

The period of Jesus Christ
Dillard and Longman rightly claim that many parallels are drawn between the Exodus and Christ's earthly ministry, particularly during his passion.Jesus went to the cross during the time of Passover.Christ fulfilled the Exodus during his earthly ministry.(Dillard & Longman 1994:66) In fact, Jesus has recreated the new Israel through the restoration that he achieved in his person and works.In a certain sense, the Old Testament Exodus and the later salvations were confined to the restoration.This is proven by the focus on the verbs 'to return' and 'to restore' (1 Ki 13:3; Job 33:25; Hs 6:1).Jesus is the leader or the redeemer of a new and final exodus, through which God initiated his trans-historical plan, such as the new Messianic era.The coming, the person, and the works of the Messiah decisively fulfill all the previous exodus themes and implicitly embody their consummation (cf.Kim 1997:636).

The period of the Apostles and the Early Church
During the period of the Apostles and the Early Church, the exodus theme can be understood in terms of the suffering, resurrection, and glorification of Christ.The archetypal exodus of Christ legitimates the exodus of the Early Church.This is demonstrated by Garrett (1990:670-680) (4) Very often, God's people are enslaved during the sojourn outside the land.In a strict sense, that is not the case in this instance.
(5) God brings blessings upon his people during the captivity, but plagues the tyrant, either progressively or as part of the deliverance.Haman notes that the Jews have the blessing of keeping their own laws in the empire of Persia.The destruction of Haman is the plagues on the tyrant.(6) God miraculously intervenes, often with visions to the pagan lord, in order to save his people.The dream given to the pagan lord during the night is, in this case, Ahasuerus' sleepless night during which he is read the chronicles of his reign, and determines to bless Mordecai.
(7 ) Very often the serpent tries to shift blame and accuses the righteous man of being the cause of the difficulty.In Esther 3 Haman insinuates to Ahasuerus that the Jews are troubling his empire.
(8) God humiliates the false gods of the enemy.Haman clearly has his own gods; in fact, when he boasts of his glory and praises his own accomplishments, Haman seems to be his own god (Es 5:11).( 9) God's people depart with spoils.Since God wanted the Jews to be 'spread out as the four winds' within the empire, no geographical departure was needed.
(10) On the way, God's people are attacked (Ex 17; 1 Sm 15).Cyrus has let the people return, which is the initial Exodus.Now the Jews are attacked by Haman the Agagite.
(11) Finally, God's people are installed in the Holy Land.Such installment means building God's house out of some of the spoils.The Jews did not take the spoils for themselves, but set them aside for God.
theme.Therefore, each fulfillment in every period has naturally to be connected to Christ, whether explicitly, implicitly or even partially.

The exodus theme in revelation 12-13
The exodus theme in the book of revelation 3 in general In the Book of Revelation, the soteriological message is anchored in Jesus Christ's eschatological salvific works and is aligned with the blessings which his saving work brings to the universal Church, as well as to the whole of creation (Du Rand 1993:310).
All those redeemed on earth shall stand at the sea of glass to join the victorious crowd in singing the song of Moses and of the Lamb (Rv 15:3), with their song, therefore, combining the imagery of both the Old and the New Testament.Moreover, the multitudes (Rv 15:2) also sing about the fulfillment of all the prophecies, in that all nations shall fear God and glorify his name (cf.Hoeksema 1974:522-526).The implication is that the nation of Israel in the Old Testament already sang the song of the Lamb, with the people of the Lamb in the New Testament also singing the song of Moses (cf. Du Rand 1997:273).Thus, the song of Moses is theologically congruent with the song of the Lamb.The old and the new dispensations both sing about the same message: God's salvation.

The exodus theme in revelation 12-13
The provision by the exodus theme of a theological framework for New Testament authors, including John, should be seen in the light of the relevance of Revelation 12-13 for the exodus motif.John offers a view to the oppressed Christians in Asia Minor in the form of a symbol derived from the Exodus experience of deliverance and liberation.In particular, John aims to convince his audiences that they comprise the community of the new Exodus.
3.In their recent commentary on the NT use of the OT, Beale & McDonough (2007:1082) hold that in Revelation roughly more than half of the OT references are from Psalms, Isaiah, Ezekiel, and Daniel.They also agree that the accounts of the plagues in Exodus are the source of some of the most startling imagery in Revelation.In addition, the theme of liberation from oppressive rulers is the predominant motif in Exodus and Revelation.
John associates the dragon (Rv 12:3) with Egypt and Rome or Jerusalem, since the Old Testament metaphors of the sea monster predominantly portray Egypt as an opponent of God's people (Ps 74:13-14; 89:10; Hab 3:8-15).John sees (Rv 12) a repetition of the exodus pattern (Beale 1999:633).When he narrates how the dragon appears in heaven, he describes it as 'red'.This is the only instance in the whole Bible where the dragon is referred to as being of that colour.The red dragon is reminiscent of the Red Sea of the Old Testament, which should have indicated to John's audiences that, although the dragon is awe-inspiring, God will surely overcome it.In line with the long tradition of the Jewish people, Jewish audiences would immediately have understood God's impending overthrow of the dragon, as soon as John said that it was red (Kio 1989:131).The key incident in Revelation 12:4 to which the idea corresponds, and in which it is realised, may be found in Pharaoh's efforts to destroy the infant Moses (Miligan 1889:202).
The woman's flight to the wilderness is described in terms of an exodus (Rv 12:6,13  (Walton & Matthews 1997:106,267).
In terms of the exodus motif, blood (Rv 12:11) serves as a seal of protection and safety.In contrast, blood, as a symbol of death, binds both God and the people together as one in partnership in the Covenant seal (Ex 19:4-6; 24:3-8; Kio 1989:134).Although John's clear intertextual references to the Exodus cannot be denied, it should be noted that White points out the difference between the victory in Revelation 12:11 and the victory that was experienced during the Exodus of the Old Testament: The great irony of Israel's victory over the dragon (Egypt) had been that, though they were released from Egypt, they were not released from their sins.Therefore, through the law given to Israel in their continuing bondage to sin, God could accuse them of sins and by his indictments subject them to the curses of defeat and death.The saints' victory over the dragon, however, is profoundly different.As depicted in Revelation 12:10-11, the holy seed is still accused of sins, but they are accused by the dragon, not by God.(White 1989:114) Hanson (1993:226) captures the significance of the allusion to blood (Rv 12:11;cf. Rv 7:14;19:13) in terms of the pure-impure social system.He compares Revelation with Leviticus: In contrast to the Aaronic priesthood, who must use animal blood within the confines of a sanctuary, the Lamb's 4 blood accomplishes redemption for all, creating a new community, in which all members are, at least symbolically, priests 7:14).The image of the blood of the Lamb also reverses the categorisation of blood on garments in Leviticus 6:27.Instead of being a source of pollution, the Lamb's blood becomes a metaphor of purification, when the saints and the Word of God wash their robes in it cf. Lv 7:14;19:13).
Embedded in the exodus motif, John also uses 'the eagle metaphor' (Rv 12:14), which was familiar to his audience in Asia Minor as a symbol of the Roman army.John uses the metaphor in order to accentuate the fact that it is not Rome, but God, who protects the seven churches in Asia Minor.As Sweet (1990:203) notes, the model for her flight (Rv 12:14) is the Exodus story.God brought his people on eagle's wings into the wilderness (Ex 19:4). 5, 6 The river-flood (Rv 12:15) evokes Pharaoh's attempt to destroy male Israelites in the river (Ex 1:22), as well as his pursuit of the Israelites in the gap created in the waters of the Red Sea (Ex 14:21; cf.Beale & McDonough 2007:1126).
Revelation 12:16 may be linked to Exodus 15:12: '…You stretched forth your right hand, the earth swallowed them up…' (Minear 1991:76).The '…earth opening its mouth…' (Rv 12:16) also calls to mind the destruction of Korah in Deuteronomy 11:6: '… the earth opened its mouth and swallowed them…' (cf.Gn 4:1-16; Nm 16:30-33).The earth's protection of the woman in Revelation 12:16 ironically reverses the earth's endangerment of the remaining Israelites in Numbers 16:34 and Deuteronomy 11:6.Although John freely uses and alters the exodus motif, the results of the new Exodus are the same as those of the old: the mother of the seed, as it were, walks on dry land through the midst of the waters (Ex 15:19;cf. White 1989:118).
When John records the dragon's rage over the woman's escape, and his leaving of her to wage war against the rest of her seed in Revelation 12:17, he characterises such seed as those 'who keep the authoritative instruction of God and hold to the testimony of Jesus' (cf.Rv 14:12).The phrase 'obey God's commandments' bears a theological intertextuality to Exodus.During the time of the Exodus, the Israelites' obedience to God's commandments would have signified the victory of the nation over sin, the sequel to which would have been her re-creation as God's holy kingdom (cf.Rv 1:5-6).The phrase describing the seed's keeping of God's authoritative instruction (i.e.his Commandments) in Revelation 12:17, indicates the seed's re-creation as the kingdom constituted by the Lamb.In fact, the salvation of John's audience surpasses that of Israel: unlike the nation of Israel, his audience would have been constituted as God's kingdom not simply by divine precept, but also by divine power (White 1989:120-121).
4.The idea of a lamb being offered as a cultic sacrifice certainly contributes to this imagery.One should not over hastily interpret the lamb image as being solely, or even primarily, part of cultic-sacrificial terminology (see Reddish 1995:215).
5.Instead of the second person plural pronoun of MT, the translators of LXX use the third person, which is short for 'you yourselves' with the meaning of 'you have seen what I have done'.In the past, the Israelites had taken note not only of the salvific acts, but also of God's bringing them as on eagles' wings, meaning that they soared with ease, being both provided for and protected by him at Sinai, where the Covenant between God and his people was formally enacted (see Wevers 1990:293-294).
Revelation 13:4 might be a parody of Exodus 15:11, in the sense that the beast's victory over death is paralleled with God's victory over the Egyptians (Kraft 1974:272).In terms of such thinking, the dragon's sending of the two beasts (Rv 13:1,11) would correspond with the test inflicted at the hands of Balak and Balaam, 7 whom the Israelites encountered upon their entry into the promised land (Sweet 1990:203).The rhetorical question, 'Who is like the beast?' (Rv 13:4) echoes the type of language that was frequently used to praise God in biblical times, such as 'Who is like you, Lord, among the gods' 8 (Ex 15:11;cf. also Ps 35:10;113:5;Beckwith 1967:636).Following on the rhetorical question 'who is like the beast, and who is able to wage war against him?',three aspects of Yahweh's incomparability are raised in a further rhetorical question: his magnificent holiness; his praiseworthy deeds; and his extraordinary accomplishment.Thus, John reminds his audience of the strong contrast between the true God and the beast, urging them to remain faithful to the incomparable God.
The temple motif is also an important part of the exodus theme in Revelation 13:6.The fellowship and residence of God in the tabernacle in the historical Exodus event (Ex 40:34) foreshadow God's dwelling and fellowship in the true temple, which is embodied in those believers who experience the new Exodus in Christ (cf.Rv 21:3).The Exodus, which was led by Moses, is not only transformed into a form of new exodus by Christ, but is also a form of deliverance from exile.So, the exodus led by Jesus is the archetype of the consummated salvation of God in future, as well as the antitype of the Exodus led by Moses.
In Revelation 13:8 (as well as in Rv 5:6, 9,12), John uses the word 'slaughter' for 'slain'.Since 'slaughter' refers to the violent death of the lamb slaughtered in sacrifice (Ex 12:6), the image evokes the memory of Israel's Exodus and liberation from Egypt, which was considered in Judaism as a prototype of the final eschatological salvation (Kio 1989:132-133).
The mark of the beast in Revelation 13:17 (cf.Rv 14:9b), which signifies that those marked in this way belong to the beast, is equated to the sign in Exodus 13:9,16.Both books define the mark as a proof of possession (Kio 1989:126).Another echo of the mark that is first described in Exodus consists of the first plague of the seven bowls in Revelation 16:2, which appears as 'an ugly and painful sore' on those who bear the mark of the beast and worship his image (cf.Ex. 9:9-11).
Relying on the exodus-based intertextual theme, John offers his worldview to the oppressed Christians in Asia Minor, consisting, as it does, of a symbolic world, which is derived from the Exodus experience of deliverance and liberation.In order to accomplish his goal, John uses a number of exodus symbols and images.He does so not for the sake of secrecy, but rather for the sake of 7.According to the OT, in only two cases (Gn 3:1-5; Nm 22:22-35) are animals endowed with the capacity to express themselves articulately, with, in such cases, the impact of their speech being central to the understanding of the texts concerned.
A number of significant intertextual parallels among Gn 3:1-5, Nm 22:22-35, and Rv 13 reveal John's exodus intertextuality in connection with Genesis.Although there are partial parallels, the outstanding parallels consist of the following: (1) The ass, the snake, and the beast use interrogatory statements to persuade the listener, though their questions have different rhetorical intent (Gn 3:4-5; Nm 22:28; cf.Rv 13:4).
(3) The motif of knowledge or wisdom is also common to the three accounts (Gn 3:6; Nm 23:34; Rv 13:18).(4) Obedience to the voice of the snake and the beast entails the rejection of divine authority.(5) Evil is associated with a foreign ruler in the story in Numbers and Revelation.(6) The animals speak only by divine initiative (e.g. the divine passive in Rv 13), and have no special powers of their own.(7) In the three texts, it seems that the animals exhibit a deeper understanding of the relationship between the human and the divine than do their human counterparts.(8) The three animals lead people astray.Whereas the snake and the beast do so figuratively, the ass does so literally.(9) The significance of cursing in the three texts is noteworthy (Gn 3:14-19; Nm 22:17; Rv 13:6).The intertextual relationship among the stories of the anomalous animal speech sheds light on the larger patterns of inner-biblical interpretation (see Savran 1994:34, 55).
8.The hymnodic lines are nominal clauses, with attributive modifiers emphasising the point of comparison in the question 'who is like you?'.The first instance is modified simply by a prepositional phrase 'in God'.The phrase, in turn, influences the 'in' phrase, which follows in the next line, i.e. 'among the holy ones', with MT having a singular word: 'holiness'.The latter might be translated as 'among the holy ones' (Wevers 1990:231).
impact.Such symbolism and imagery powerfully convey a sense of evocative and emotive force (Kio 1989:131).In particular, John uses the battle between God and the dragon of Egypt to explain Christ's inaugural victory over the dragon which wages war against the Church.John intends to convince his audience, as the community of the new Exodus, of the fact that God's protection leads them to the asylum in Pella via the Jordan River during the Jewish-Roman War (Rev.12:6,14; cf.Kraft 1974:264).
The exodus intertextuality is so closely intertwined with the re-creation motif that John clearly compares the status of his audience with that of the Israelites in the Old Testament.If Revelation 12-13 is read in terms of the exodus intertexts, such intertextuality functions as a paradigm for describing God's saving of his own people, as well as his judgement of the oppressors (cf.Du Rand 1996:52-53).The eschatological redemption in terms of the exodus theme for which Christ has worked is so clear in Revelation 12-13 that God's people in Asia Minor, who have already experienced salvation, but who still anticipate its consummation, 9 are compelled to praise God with great joy.
In summary, in John's use of the exodus theme, he sometimes changes its expression and thought in terms of the archetypal exodus of Christ, in order to make his message fit his audience.In this sense, John understands that the exodus is not so much 'Christocentric' as 'Christotelic', in that the person and works of Christ serve as the starting point for an understanding of the Old and New Testament texts.The exodus theme is so closely intertwined with the re-creation motif that John is clearly able to accentuate the superior status of his audience (as the re-created new Exodus community) to that of the Israelites in the Book of Exodus.If Revelation 12-13 is read from the exodus intertexts, the exodus theme functions as a paradigm for describing God's saving of his own people, as well as his judgement of their oppressors.

CoNClusIoN
The Exodus, which took place at the time of Moses, functions both as an antitype for the pre-Exodus period and as a type for the post-Exodus period.Although the Exodus theme begins with the full-scale exodus from Egypt, the cross and resurrection of Christ, the new Moses and the Son of David play the crucial role of archetype for all exodus events in the progressive redemptive history.Jesus' exodus from Jerusalem (Lk 9:31) is, by way of typological interpretation, the consummated exodus of the new covenantal people at his Parousia in the final stage of redemptive history.Revelation 12-13 expresses the fulfillment of the exodus and provides a foretaste of its consummation on the basis of Jesus' archetypal Exodus.The seven churches in Asia Minor, as a new Exodus and re-created community, must have experienced the new and eschatological exodus from the Roman and the apostate Jewish persecuting power.
, John alludes to the Book of Exodus 27 times, particularly in emphasising the event of the Exodus itself.John draws images from the past redemptive work of God (i.e. the Exodus) and presents them anew as the vehicle of the present moment to encourage his community to endure those persecutions to which they are being subjected.Many obvious parallels between Exodus 15 and Revelation 15 are important: (1) The theme of victory in Exodus 15 becomes the basis for praise in Revelation 15:3-4(Mounce 1983:287).(2) Several Exodus terms, such as 'glory', 'victory', and 'tabernacle'  are used in both texts (cf.Ex 15:11; Rv 15:4).(3)Theentirescene of Revelation 15:2 revives the memory of the Israelites standing on the shore of the Red Sea.(4)The seven plagues(Rv 11:6; 15:8)recall the ten plagues which were inflicted on Egypt.(5)The universal recognition of Jahweh as the one true God (Ex 15:14; Rv 15:4) is a common theme ).The desert(Rv 12:6,14) is a common symbol in both the Old and New Testaments for a place of God's protection while waiting for the fulfillment of his promises.Even the eagle's wings (Rv 12:14) make patent reference to Exodus 19:4 and Deuteronomy 32:10-12, in which the wings of the eagle are a symbol of God's protection and providence (cf.Mazzaferri  1989:371).In Revelation 12:14 the combination of the exodus theme and the re-creation theme is emphasised.White correctly articulates the point as follows: John's allusion to especially Dt. 32:10-11 is significant, for in the text Moses compares God's presence with Israel in the wilderness to God's presence at creation in Gen. 1:2.That Moses does in fact make this comparison is signalled by two points.On the one hand, the typical verb used to describe God's activity in Dt. 32:11 occurs again in the Pentateuch only when Moses describes the Spirit's activity at creation in Gen. 1:2b.On the other hand, the noun used to describe the wilderness where God accompanied Israel in Dt. 32:10 occurs again in the Pentateuch only when Moses describes the state of the earth over which the Spirit hovered at creation in Gen. 1:2a.From these lexical parallels it is not difficult to see that inMoses interprets the Exodus event as a redemptive re-enactment of creation, indeed as Israel's redemptive re-creation.When John alludes to those texts in Rev. 12:14, it is no more difficult to see that he understands the woman's experiences as her participation in the new Exodus under the Lamb.… John is also telling us that the woman's participation in the Messianic Exodus entails her redemptive re-creation.